Animation, as we know it has been around for nearly 100 years-it, is an art form that, like the feature film, grew out of the short film and became a medium in its own right. Themovieflix is a new free entertainment portal where you can download Bollywood and Hollywood movies in high quality. The milestone was the 1937 film Snow White and the Seven Dwarfs. Which marked the beginning of feature film production by Walt Disney Animation. Since then, animation has flourished and evolved, introducing revolutionary new technologies, new storytelling possibilities, new studios, and new visual styles. Today we are dealing with a field that encompasses nearly a century of Disney’s favorite films. Other major studios such as pioneering Pixar, British claymation titans Aardman and Japan’s legendary Ghibli. And styles ranging from traditional hand-drawn 2D films to sophisticated computer-generated masterpieces. Meticulously crafted stop-motion films and everything in between.
The Empire team decided to choose the 50 best-animated films of all time. And because animation is a medium rather than a genre. The list covers a whole range of flavors and nuances. We have traditional family adventures, black-and-white stories, self-contained meta-films, superhero stories, and gripping war films. And fantasy journeys, proving that animation can be so much more than just a children’s movie (although we love those too, of course). Read the full list below and immerse yourself in the endless possibilities this animation medium has to offer.
The Triplets of Belleville (2003)
There are at least a couple of reasons to check out. The Triplets of Belleville, the splendid debut by French animator Sylvain Chomet. First, the plot is almost devoid of dialogue (a grandmother with a cane goes on a rescue mission to save her granddaughter from the Mafia during the Tour de France), the scenes (the opening musical number. The speedboat chase, the last-minute escape), the fantastic supporting cast (the grieving rockers, the larger-than-life mobsters), and the aging stars of the title who steal the show. The film seasons the silent vision with surrealism. But it is in a place where most animated films do not venture. The film oscillates between sadness and satire (Belleville is America in disguise) and nostalgia, becoming a saga of a bygone era. Somehow it also manages to be very funny.
Fantasia (1940)
Not exactly an easy film, but Disney’s third animated film is in many ways a blockbuster. Combining the distinctive Mouse House animation with a series of beloved classical music suites (the “playlist” includes pieces from Bach to Beethoven) results in something impressive. The most memorable sequence is the nightmarish ride up on a broomstick in The Sorcerer’s Apprentice (a rare appearance of Mickey Mouse in a Disney film), but there are also startling apocalyptic visions in Rites of Spring (aka The Dinosaur Movie), which is about the Big Bang, and in the unhappy Night on Bald Mountain, which features the spectral devil, the Black God. There are also engaging sequences showcasing the talents of conductor Leopold Stokowski in silhouette, and a section devoted to the “soundtrack” itself. A two-hour feast for the eyes and ears – but perhaps leave out the terrifying centaur.
It’s such a beautiful day (2012)
“It’s Such a Beautiful Day” is not a U2 song, but a movie that reads like a great book. Based on a trilogy of short films by freelance cartoonist Don Herzfeld, the film follows Bill – round head, oval body, speckled eyes, cool hat – as his life filters through a blur of the unfocused rainbow. This little hero has a surprisingly rich inner world. Themovieflix com Although Herzfeldt creates a continuous narrative, the story focuses on small, seemingly incidental details – the Lion King’s slippers, and the leaf blower – that together form a grand exploration of our place in the universe. The animations are done in the starkest black and white imaginable, so the effect is hand-drawn, charming, and strangely poignant. A 62-minute cartoon delight that will make you wish you’d drawn more during your double maths class.
Loving Vincent (2017)
The statistics for Loving Vincent are extraordinary. Over six years, a team of 125 painters from 20 countries painted more than 65,000 film scenes in the style of Vincent Van Gogh (you know, the sunflower guy). Using the rotoscope technique favored by Richard Linklater in Waking Life and A Scanner Darkly, directors Dorota Kobiela and Hugh Welchman have created a striking tribute to Van Gogh’s work.
Set in a detective story to reveal the true background to the painter’s death. The film has its quirks – you can see what Saoirse Ronan and Chris O’Dowd would look like posing for VVG – but it’s an intricate tribute to Van Gogh’s art, both in profile (soft, deep black pastels) and in detail (the credits refer to the exact painting being celebrated). The film begins with a Van Gogh quote – “We can only speak to our paintings” – and eventually becomes a vivid glimpse into the artist’s life, where form becomes content.
Cinderella (1950)
After turning to anthology films during World War II, Disney returned with the second princess film, Bibbidi Banger, which developed and redefined the archetypes begun in the first film.
It’s a classic tale of misery, magic, and mice in which. The innocent Cinderella is treated like dirt by her evil foster family until (finally). The good fairy intervenes and sends her to the ball.
Despite the uneven pacing (the first 20 minutes are mice in the kitchen). This is a pure Disney tale with lively songs, and iconic costumes. And an unassuming villain in Eleanor Audley’s terrifying Mrs. Tremaine.
While the animation itself isn’t the most daring of Disney’s animations. There are some beautiful details by legendary concept artist Mary Blair, and the studio’s characteristic charm is on full display.
How to Train Your Dragon (2010)
Although DreamWorks Animation has been criticized for its dragon hunting (pun intended). This trilogy is a great example that it’s not always the enemy of creativity and charm. How to Train Your Dragon, created by Dean DeBloyce and Chris Sanders (the following two films are mostly DeBloyce’s work), tells the story of a boy and his dog – Themovieflix in the boy is a mischievous Viking, the dog a mighty night dragon with natural camouflage and the ability to shoot plasma beams out of his mouth. Rather than have the characters run (or fly) through the scenes, the series (and its little twist) makes the wise decision to develop the story and deepen the emotions, and the look of the film is painterly and often spectacular, with the help of CGI.
